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The invention of Philo-Fiction

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Published: 24/08/2019

“This way of working leads us to consider the new objects of science no longer as complex, but as ‘integrative’. The complex object corresponds more or less to the stage of the open work, where the creation of a discipline of itself no longer allows us to apprehend the objects which it works with, but requires the interpretation of others. This state of affairs supposes the convergence of disciplinary perspectives upon partially-given objects—just as the Klavierstücke are always the work of Stockhausen, but only become audible through the intermediary of a performer who is not only implicitly the ‘translator’, but explicitly the ‘composer-translator’. The ‘new objects’ have very different characteristics. They superimpose fragments of knowledge according to a discipline+1. They also comprise the non- knowledge of each discipline in relation to these objects: disciplinary non-knowledge which, by iteration, allow us to reformulate in each discipline the knowledge that it masters and the non- knowledge that it constructs. The only unity these objects have, a partial and momentaneous unity, is that of the intentions of particular researchers, which never entirely encompass them as a whole. Ultimately these objects are no longer manipulable; they are not constructed in a phenomenological distance which separates the researcher from his or her object. They are radically non-synthesizable. Just as the concept of ‘uncertainty’ has passed from the margins of science into its heart, that of the non-synthesizable is beginning to afford a certain methodological access to created objects (GMOs, the product of nanotechnology, of synthetic biology, etc.) and objects of study (obesity, depression) which involve numerous disciplines and which do not converge. We need to invent scientific methods that will allow the construction of methods of invention within this non-synthesis.”

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